Here it is y'all. Sunday is nearly sold out, so if you were waiting to see the schedule, get your purchases in soon:
Friday, July 15 (gates at 3 p.m.):
8:30 Animal Collective (GREEN)
7:30 James Blake (BLUE)
7:20 Neko Case (RED)
6:30 Das Racist (BLUE)
6:25 Guided By Voices (GREEN)
5:30 Curren$y (BLUE)
5:30 Thurston Moore (RED)
4:35 Battles (GREEN)
4:30 tUnE-yArDs (BLUE)
3:30 EMA (RED)
3:20 Gatekeeper (BLUE)
Saturday, July 16 (gates at 12 p.m.):
8:30 Fleet Foxes (GREEN)
7:40 Zola Jesus (BLUE)
7:25 DJ Shadow (RED)
6:45 Twin Shadow (BLUE)
6:15 The Dismemberment Plan (GREEN)
5:45 The Radio Dept. (BLUE)
5:15 Destroyer (RED)
4:45 OFF! (BLUE)
4:15 No Age (GREEN)
3:45 Wild Nothing (BLUE)
3:20 Gang Gang Dance (RED)
2:50 G-Side (BLUE)
2:30 Cold Cave (GREEN)
1:55 Sun Airway (BLUE)
1:45 Woods (RED)
1:00 Chrissy Murderbot ft. MC Zulu (BLUE)
1:00 Julianna Barwick (GREEN)
Sunday, July 17 (gates at 12 p.m.):
8:30 TV on the Radio (GREEN)
7:40 HEALTH (BLUE)
7:25 Cut Copy (RED)
6:45 Toro Y Moi (BLUE)
6:15 Deerhunter (GREEN)
5:45 Kylesa (BLUE)
5:15 Superchunk (RED)
4:45 Baths (BLUE)
4:15 Ariel Pink's Haunted Graffiti (GREEN)
3:45 Shabazz Palaces (BLUE)
3:20 OFWGKTA (RED)
2:50 Twin Sister (BLUE)
2:30 Kurt Vile & the Violators (GREEN)
1:55 How to Dress Well (BLUE)
1:45 Yuck (RED)
1:00 Darkstar (BLUE)
1:00 The Fresh & Onlys (GREEN)
Showing posts with label Pitchfork. Show all posts
Showing posts with label Pitchfork. Show all posts
Wednesday, June 22, 2011
Tuesday, July 20, 2010
15 Second Pitchfork Review
I may post more later about Pitchfork, but I'll give my $0.02 in short order right now:
Best overall: LCD Soundsystem - this was my first time seeing LCD live (yeah, I know), and they totally lived up to the hype. The set was too short, but that was a function of the festival more than the band. The set list was more or less the same as what they've been playing on this (supposedly their last) tour, and it was blend of new record and past hits. Nothing too adventurous, but certainly pleasing.
Most surprising in a good way: Titus Andronicus - I saw TA play a small opening set at Metro about a year ago and was severely disappointed in how suck they were. Totally non-congruent and yelling. This P4K show, however, was excellent. Maybe this is a festival-only act? They've earned my attendance at their next local show to find out.
Most surprising in a bad way: Sleigh Bells - With their excellent debut receiving heavy rotation on blogs, indie stations, and my iPod, this was one of the top attractions. What a let down. Sound problems marred much of this set (not their fault), but the duo was relying so heavily on a backing track that when guitar and mics cut out, there was basically zero audible difference (is their fault). They had lots of energy, so this might be a better live act in a year or so with more polish.
Best overall: LCD Soundsystem - this was my first time seeing LCD live (yeah, I know), and they totally lived up to the hype. The set was too short, but that was a function of the festival more than the band. The set list was more or less the same as what they've been playing on this (supposedly their last) tour, and it was blend of new record and past hits. Nothing too adventurous, but certainly pleasing.
Most surprising in a good way: Titus Andronicus - I saw TA play a small opening set at Metro about a year ago and was severely disappointed in how suck they were. Totally non-congruent and yelling. This P4K show, however, was excellent. Maybe this is a festival-only act? They've earned my attendance at their next local show to find out.
Most surprising in a bad way: Sleigh Bells - With their excellent debut receiving heavy rotation on blogs, indie stations, and my iPod, this was one of the top attractions. What a let down. Sound problems marred much of this set (not their fault), but the duo was relying so heavily on a backing track that when guitar and mics cut out, there was basically zero audible difference (is their fault). They had lots of energy, so this might be a better live act in a year or so with more polish.
Wednesday, July 14, 2010
Pitchfork Schedule
Some people mentioned that they were having a hard time finding the final lineup and schedule for this weekend's festival. Well, here it is:
2010 Pitchfork Music Festival schedule:
a = Aluminum Stage, b = Balance Stage, c = Connector Stage
Friday July 16 (gates at 3 p.m.):
3:30 Sharon Van Etten (a)
4:00 The Tallest Man on Earth (c)
4:35 El-P (a)
5:30 Liars (c)
5:45 Hannibal Buress (b)
6:25 Robyn (a)
6:30 Wyatt Cenac (b)
7:15 Michael Showalter (b)
7:20 Broken Social Scene (c)
8:00 Eugene Mirman (b)
8:30 Modest Mouse (a)
Saturday July 17 (gates at 12 p.m.):
1:00 Free Energy (a)
1:00 Netherfriends (b)
1:45 Real Estate (c)
1:55 Sonny & the Sunsets (b)
2:30 Delorean (a)
2:50 Kurt Vile (b)
3:20 Titus Andronicus (c)
3:45 Dâm-Funk (b)
4:15 Raekwon (a)
4:45 Smith Westerns (b)
5:15 The Jon Spencer Blues Explosion (c)
5:45 WHY? (b)
6:15 Wolf Parade (a)
6:45 Bear in Heaven (b)
7:25 Panda Bear (c)
7:40 Freddie Gibbs (b)
8:30 LCD Soundsystem (a)
Sunday July 18 (gates at 12 p.m.):
1:00 Allá (a)
1:00 Cave (b)
1:45 Cass McCombs (c)
1:55 Best Coast (b)
2:30 Girls (a)
2:50 Washed Out (b)
3:20 Beach House (c)
3:45 Local Natives (b)
4:15 Lightning Bolt (a)
4:45 Surfer Blood (b)
5:15 St. Vincent (c)
5:45 Here We Go Magic (b)
6:15 Major Lazer (a)
6:45 Neon Indian (b)
7:25 Big Boi (c)
7:40 Sleigh Bells (b)
8:30 Pavement (a)
2010 Pitchfork Music Festival schedule:
a = Aluminum Stage, b = Balance Stage, c = Connector Stage
Friday July 16 (gates at 3 p.m.):
3:30 Sharon Van Etten (a)
4:00 The Tallest Man on Earth (c)
4:35 El-P (a)
5:30 Liars (c)
5:45 Hannibal Buress (b)
6:25 Robyn (a)
6:30 Wyatt Cenac (b)
7:15 Michael Showalter (b)
7:20 Broken Social Scene (c)
8:00 Eugene Mirman (b)
8:30 Modest Mouse (a)
Saturday July 17 (gates at 12 p.m.):
1:00 Free Energy (a)
1:00 Netherfriends (b)
1:45 Real Estate (c)
1:55 Sonny & the Sunsets (b)
2:30 Delorean (a)
2:50 Kurt Vile (b)
3:20 Titus Andronicus (c)
3:45 Dâm-Funk (b)
4:15 Raekwon (a)
4:45 Smith Westerns (b)
5:15 The Jon Spencer Blues Explosion (c)
5:45 WHY? (b)
6:15 Wolf Parade (a)
6:45 Bear in Heaven (b)
7:25 Panda Bear (c)
7:40 Freddie Gibbs (b)
8:30 LCD Soundsystem (a)
Sunday July 18 (gates at 12 p.m.):
1:00 Allá (a)
1:00 Cave (b)
1:45 Cass McCombs (c)
1:55 Best Coast (b)
2:30 Girls (a)
2:50 Washed Out (b)
3:20 Beach House (c)
3:45 Local Natives (b)
4:15 Lightning Bolt (a)
4:45 Surfer Blood (b)
5:15 St. Vincent (c)
5:45 Here We Go Magic (b)
6:15 Major Lazer (a)
6:45 Neon Indian (b)
7:25 Big Boi (c)
7:40 Sleigh Bells (b)
8:30 Pavement (a)
Friday, February 5, 2010
Pitchfork Lineup, Other New Shows, TWIS
Pitchfork tickets go on sale at noon (central) today. Friday's headliner is to be Modest Mouse. Far more interesting is that LCD Soundsystem plays Saturday, and the Pavement rumors are true - they will headline Sunday.
These, and all other new shows have been added to the SHOWcal.
This weekend, enjoy any of these fine programs. I'll be at one of them!
These, and all other new shows have been added to the SHOWcal.
This weekend, enjoy any of these fine programs. I'll be at one of them!
| Friday, February 5, 7:00pm | Slayer/Megadeath @ UIC | |||
| Saturday, February 6, 9:30pm | Jemina Pearl @ Beat Kitchen |
Monday, July 20, 2009
Flaming Lips @ Pitchfork 9/19/9
2/18/1994
- The Flaming Lips, Catherine, Brown Betty
- Metro, Chicago, IL
Wow. That was a long time ago. Catherine and Brown Betty were a couple of local buzz bands that never really went anywhere that I know of. I'd look up some more info on them, but I don't really care. I believe I have exactly one song by each band on a Q101 promotional CD called "Random Acts" that had some tie-in with a woman's shelter, or something. It's all academic at this point, anyway, especially the only really cool band to come out of that early 1990's Chicago scene was The Lupins.
Anyway, the Flaming Lips weren't the friggin' "FLAMING LIPS" back then. They were just another quirky experimental rock band, not unlike Ween. I've kept up with FL over the years, but never was much of a fan. I've admired their creativity and individuality, but never bought into the magic like, say, Jim DeRogatis (who got a shout-out at the show), who hangs off their nuts like a concierge at Kobe's hotel. Still, I was looking forward to this show. I was absolutely certain that this would be the biggest spectacle of all the Pitchfork shows over the years, and I wasn't disappointed. From the usual rolling in the ball over the crowd (pictured) to the emergence of the band from the pulsating vagina (not pictured) to the frogs and angels dancing on stage to the limitless streamers and confetti - this was one hell of a rock show. They played every hit (and mixed in a few tunes from the upcoming album), and did so with aplomb. I intended to leave after a few songs, but wound up staying for the entire set - enthralled. That was unexpected. And therefore, with everything stated above, turned out to be the top set of the long Sunday.
9/10
Grizzly Bear @ Pitchfork 9/19/9
7/10
Vivian Girls @ Pitchfork 9/19/9
6/10
The Walkmen @ Pitchfork 9/19/9
9/10
The Thermals @ Pitchfork 9/19/9
8/10
Blitzen Trapper @ Pitchfork 7/19/9
5/10
Frightened Rabbit @ Pitchfork 7/19/9
At one point last year, I saw Frightened Rabbit, White Rabbits, and White Denim in the same week. That was confusing, and although the music between the bands isn't all that similar, it was hard to keep each live performance straight in my head (part of the inspiration for starting this blog). It was therefore with a sense of curiosity and anticipated recollection that I filed into Pitchfork relatively early on Sunday to catch the 1:45 performance of Frightened Rabbit (plus, after being forced to miss Saturday's killer lineup because of an out-of-town wedding, I was jonesing hard to get to Pitchfork ASAP). Between intermittent splashes of sun on a much cooler than normal July afternoon, singer Scott Hutchison belted out several quality renditions of their brand of Scottish indie rock, and even with a strained and raspy voice (he admitted to be suffering from a cold), peppered the crowd with a good deal of self-depreciating humor. This proved to be one of the day's finer acts both in terms of livliness, crowd interaction, banter, and sound quality. Even at the time, it felt like a fine opening act to my Pitchfork day.
8/10
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